The Adventure Game and Interactive Novel

The Adventure Game and Interactive Novel


  • Tag Archives Unity
  • Genesis, pt. 3

     

    Not long after that, Ivan Venturi contacted Evangelisti’s literary agent and Mondadori to buy the rights to make a game featuring Nicolas Eymerich as the protagonist. Imagimotion soon joined Koala Games (that would later be renamed TiconBlu), and the two software houses went in search for funding.

     

    The developing began in 2009. The game should have been a classic PC adventure game, developed in Wintermute. Then technology evolved, the teams switched to Unity 3D, and many things had to be redone from scrapes (read all about it here and here).

     

    Fast forward four years, and here we are now… Tree weeks from now and the game will be published. The game is almost ready, the beta testing is in its final phases, Adventure’s Planet and Fantasy Magazine joined the project in a media partnership (don’t forget the contest!), everything is going great.

     

    Thank you for being with us, and long live Eymerich!

     


  • Unity, editors and text parser

     

    Technology evolves quickly. It develops like it was an everlasting teenager, getting higher, bigger, and stronger day by day. And, sometimes, it evolves so quickly it forces software developers to start again from scratch the developing process.

     

    The programming of Nicolas Eymerich, Inquisitor: The Plague, lead by Fabrizio Zagaglia, was a long process.

     

    Fabrizio "Zago" Zagaglia - Lead Programmer

     

    The developers had, out of necessity, to deal with the proliferation of smartphones and tablets. In the beginning, a prototype of the game was developed using Wintermute, but it was put aside exactly because it was not compatible with the growing request for mobile devices support.

     

    Scumbag iPhone

     

    Then we switched to Unity3D that, aside from being crossplatform (PC, Mac, iOS, Android, now Linux too, and someone says it works even on displays of washing machines), granted the introduction of real time 3D, which we used for some of the game environments.

     

    Unity is an outstanding tool that is gaining a lot of users, and so the community and the information are growing, new features are being implemented… which translates in solutions for every possible bug.

     

    Aside from the aforementioned possibility to develop the game for different platforms, Unity has the merit of having good visual tools (for example the scene editor, the animation editor etc.), that make the level editing process easier, and the possibility of using a stable and versatile language such as C# with little to no limitations. But probably one of the most appreciated features resides in the possibility of creating ad hoc editors for taking care of specific matters concerning the developing of a specific video game typology, editors that are already integrated in the Unity3D environment. For Nicolas Eymerich, Inquisitor: The Plague we developed several editors: one for characters and face expressions animations, one for the dialogues, one for the localization database, one for the game logic…

     

    Character Editor

    Logic Debugger

    Game Logic Editor

     

    Unity made it possible to create a text parser, that adds a vintage touch to the game. Mainly it’s a homage to MUDs and Sierra On-line-style adventures of the old times; but it is also an additional tool to support the accessible version of the game, given that a text parser is necessary to a potential voice recognition.

     

    Every single element of the game, from environments to items to characters, is operated in the same way, and it’s identified among the other things by an univocal element (a name) and by a series of action linked to it depending on its current status. For every featured language synonyms of the names are stored in the localization database. This way, the parser can associate the various synonyms to the elements composing the shown scene, recognizing in the typed sentence the verb and the direct object and executing the requested command.

     

    The following video shows how the text parser works.

     

     


  • Eymerich’s graphics

     

    Eymerich had a long development during which it evolved from a classical 2D adventure game to something able to grant to players a better experience.

     

    In order to use what our artists already produced and keep in budget we decided to go for 2.75D graphics. Starting from 2D images and simple 3D volumes we were able to obtain a visually prospectively correct third dimension.

     

    Being non full 3D this approach has some limitations, such as projecting shadows or perspective deformations in some extreme situations, all avoided during development. On the other hand it gave us a way to achieve visually 3D scenes in which close shots, a correct illumination system with realtime lights and shadows, particles systems and all we needed to make scenes alive and suggestive can take place.

     

    The 2.75D solution also has the great advantage of being computationally fast and good for running on many different devices. It is possible to add advanced features as glows, light shafts and other post processing effects with small effort, making the game visually more rewarding on high profile machines as PC and Mac.

     

    The level design, by Ulisse Cammino, required different steps and the development of appropriate tool to switch from 2D images and simple 3D models to the actual in-game environment.

     

    Ulisse Cammino - Level editor & Programmer

     

    First the scenes, made of an illustration (Img01) and 3D models used as reference points for the framing (Img02), are imported into Unity3d, exactly reflecting the camera shot of the illustration.

     

    Img01

    Img02

     

    Using an in house developed software a retropology process is then made on these informations to create a single highly optimized model of the scene from many pieces and to which detailed 3D objects are added where needed (Img03) (for example chairs or a desk). This is a fundamental step during which the illustrated environment is transformed in a true 3D volume on which we can further work on to make it playable.

     

    Img03

     

    All those elements able to make the scene alive, just as lights, environment sounds, particle systems for fire and smoke (Img05) and other effects, are then added to the current processing (Img04), eventually writing additional codes for particular effects as light flickering, trying to keep them reusable in other situations. The environment is then almost ready to be played in the game.

     

    Img04

    Img05

     

    The last step, the most important for the game experience, requires to add to the scene the actors, being them characters or active objects, animating and making them interactive using scripts that define possible interactions, depending on the situation (Img06).

     

    Img06




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